This opening sheet of the second Free City set marks both a conceptual and technical leap. The occult seals, the passage from Revelation, and the split-fountain mimeograph printing on the Gestetner inherited from the Communication Company cast the Free City as more than a social experiment: it appears here as a visionary commonwealth, at once mystical and communal. For David Simpson and Freeman House to pull off this effect on that machine must have been a first. |